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Bbuddah Hoga Terra Baap
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Bbuddah... Hoga Terra Baap
Directed by	Puri Jagannadh
Produced by	Puri Jagannadh
Story by	Puri Jagannadh
Starring
Music by	Songs: Vishal-Shekhar Score: Anup Rubens
Cinematography	Amol Rathod
Edited by	S. R. Shekhar
Distributed by	Viacom 18 Motion Pictures
1 July 2011
118 minutes
Country	India
Language	Hindi

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Bbuddah... Hoga Terra Baap (transl. Old... is your dad) is a 2011 Indian Hindi-language action comedy film directed by Puri Jagannadh in his second Hindi film after Shart: The Challenge. The film stars Amitabh Bachchan, Hema Malini, Sonu Sood, and Prakash Raj in the lead roles, while Sonal Chauhan, Charmy Kaur, Rajeev Verma, Subbaraju, and Makrand Deshpande play supporting roles, and Raveena Tandon in a guest appearance. The music of the film was composed by Vishal-Shekhar with cinematography by Amol Rathod and editing by S. R. Shekhar. The film released on 1 July 2011 to positive response from critics.^[1]

Plot[edit]

ACP Karan Malhotra has declared that he will eliminate all gangsters from Mumbai within two months. Gangster Kabir Bhai decides to eliminate Karan instead. In comes Vijju, a hitman who returns to Mumbai after a long exile in Paris, France in order to perform one last job. While the gangsters and Vijju try to take down Karan, Karan is trying to woo his old college friend Tanya, and Tanya's friend Amrita is trying to figure out the relationship between Vijju and her mother. Vijju later reveals that he is not the contract killer and is rather trying to protect his son, ACP Karan. The story mockery from Vijju. Meanwhile, Vijju meets his estranged wife Sita and tries to patch the relationship. Yera attempts once again and is successful to pump some bullets into Karan, failing Vijju's attempts to stop him from going to the place of shootout. A hurt and angry Vijju then admits Karan to a hospital and visits Kabir's den. After reciting a short story and explaining three morals, Vijju informs that Karan is alive and that the den is surrounded by police. A fierce shootout ensues in which Vijju kills all the gangsters at the den except Kabir, and his aide Mac roped in Vijju to the underworld don. Yera is killed by Kabir. A surprised Kabir is shot in the head by Vijju, but he leaves Mac. At the hospital, Vijju asks his wife to decide if she would reveal his identity to Karan.

Cast[edit]

Amitabh Bachchan as Vijay Malhotra 'Vijju'
Hema Malini as Sita Malhotra, Vijju's wife
Sonu Sood as ACP Karan Malhotra, Vijju's son
Prakash Raj as Kabir, international Don
Sonal Chauhan as Tanya Nath
Charmy Kaur as Amrutha
Rajeev Verma as Mirchi Baba
Subbaraju as Tedha
Makrand Deshpande as Mac
Vishwajeet Pradhan as Sub-Inspector Shinde
Shawar Ali as Anju
Raveena Tandon as Kamini (special appearance)
Rajeev Mehta as Prem Nath, Taniya's father
Atul Parchure as Inspector at Airport (cameo)
Ajaz Khan as Sharp Shooter (cameo)
Nikhil Pandey as Amrutha's father( cameo)

Production[edit]

The director Jagannadh wanted to hire three leading heroines for the movie, which was originally titled Buddah. Finally he zeroed down on Hema Malini, Raveena Tandon and Charmy Kaur, an actress from South India who will be making her Bollywood debut in this movie.^[2] Actress Neha Sharma was also interested in doing Kaur's role, but eventually the role went to Kaur.^[2] Tandon later said that she signed the movie to work with Bachchan and Jagannadh.^[3] For another role in the movie, both Sonal Chauhan and Kangana Ranaut were in discussion, but eventually the role went to Chauhan.^[4]

The 'mahurat' shot of the movie was done in March 2011 at Khoja Bungalow in Versova. While Jagannadh broke the coconut, actor Sonu Sood featured in the mahurat shot.^[5] The event was also attended by Bachchan, his son Abhishek Bachchan, daughter-in-law Aishwarya Rai Bachchan, and actress Sonal Chauhan.^[6]

On 26 April 2011, movie's shooting was disrupted, when Raj Thackeray led Maharashtra Navnirman Sena claimed that there were around 40 foreigners shooting in the movie without proper work permits and visas. MNS filed a police complaint in this regard and later stalled the shooting.^[7]^[8] Following day, director Jagannadh apologised to the outfit stating that there were indeed few junior foreign artists in the shoot without proper documentation, and assured to be more vigilant in future.^[9]Raveena Tandon has also shot for an item song in the film, titled 'Main Chandigarh Di Star'.

Marketing[edit]

The first 60-second promo of the movie was revealed on 20 May 2011 on eight TV channels during IPL match of Mumbai Indians and Rajasthan Royals.^[10]

Critical reception[edit]

Raja Sen of Rediff gave it four out of five stars and stated 'Bbuddah Hoga Tera Baap is not a particularly well-crafted film but none of that matters as Amitabh Bachchan makes it work.'^[11] Behindwoods gave a score of two out of five and said 'If Amitabh is all that matters, watch it.'^[12] Nikhat Kazmi from the Times of India gave a three and half stars and stated 'Bbuddah... is a high dose entertainer when the veteran actor never stops amazing you with the range of his histrionics. Despite his age, he grabs eyeballs with his action cuts, his comic cameos, his romantic ditties (with Hema), his libidinous encounters (with Raveena), his emotional bytes, his derring-do, and his over-the top sartorial sense.'^[13] Critic Taran Adarsh gave a four out of five stars and noted 'On the whole, Bbuddah Hoga Terra Baap is a must-watch for Bachchan fans. Even if you're not a fan of this iconic actor, watch it for a simple reason: They don't make them like Amitabh Bachchan anymore. A masala entertainer all the way. Bachchan is truly the Baap and this film reiterates this fact yet again. His character, his attitude and the dialogue he delivers will remain etched in your memory for a long, long time. Prakash Raj is super. In fact, it's a treat to watch powerful actors like Bachchan and Prakash Raj embroiled in a confrontation.'^[14]

Filmfare gave a four star rating and said 'Bbuddah... Hoga Terra Baap is a feast for Amitabh Bachchan buffs. The film ends with a disclaimer saying it's a tribute to the phenomenon an

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